Category Archives: blog

The Dimensions Dance [for Orchestra] – Feona Lee Jones

“The Dimensions Dance” is a piece for orchestra I wrote in 2021. I was heavily influenced by black and white/film noir soundtracks and many others (especially Bernard Herrmann, David Raksin, Jerry Goldsmith, Ennio Morricone, Henry Mancini, Duke Ellington, Oscar Peterson, Lisa Gerrard, Frank Zappa, Ligeti, John Carpenter, Danny Elfman, Tim Burton, Muddy Waters, etc.). Enjoy! *Contact me if you would like to purchase the full score: feonalee[at]gmail.com

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Meet The Instructor

Meet the Instructor! I am teaching remotely and in-person (for some students). If you are interested in lessons, feel free to reach out to me feonalee[at]gmail.com. I am teaching/mentoring people one-on-one in-person and virtually. Anything music-related: piano lessons, music theory, composition, songwriting, improv, etc. Watch video below for more details! 🎼🎹🎤🎬 PS: I’m not taking on very beginner students (I’m mainly looking for students who have had some music experience) ✨🎼 My Credentials/Degrees include: B.A. in Piano Performance (Mills College) M.F.A. in Mixed-Media and Electronic Music (Mills College) M.A. in Composition (UCSC) I am currently working on my Sound Healing Certification (Institute of Sound Healing) I am currently working on my PhD in Composition (UCLA)
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BJORK – Music & Frequency Podcast – Mario & Feona

In this podcast, Mario and Feona discuss Bjork’s music, personality, and soul through the lens of her music, astrology, and human design charts. Watch to find out more!

Björk, the Icelandic musical genius, captivates audiences with her innovative soundscapes, eclectic personality, and soulful expression. Exploring her music, astrology, and human design charts reveals a multifaceted artist driven by a unique creative vision. Björk’s music transcends genres, combining elements of electronic, pop, and avant-garde to create a sonic tapestry that defies categorization. Her celestial influences, as reflected in her astrology chart, uncover her visionary spirit, independence, and emotional depth. Furthermore, delving into her human design chart unveils her innate ability to push boundaries, experiment fearlessly, and authentically express her individuality. Björk’s music is a reflection of her dynamic and multifaceted nature, drawing listeners into her world and challenging them to embrace their own uniqueness. With each mesmerizing note and poetic lyric, Björk invites us to embark on a soul-stirring journey, pushing the boundaries of artistic expression and connecting us to the depths of human emotion.

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Ancestors [Piece for Solo French Horn and Delay Pedal] – Feona Lee Jones

Program Notes: I composed Ancestors in 2021 for Rachel Boehl’s 2021 MM graduation recital at UCLA Herb Alpert School of Music. This commission was an opportunity to write for solo French Horn and delay pedal, and experiment with the sonic possibilities of the two elements. This piece is a tribute to our ancestors, whose histories are imprinted on us and teach us that we come from a long lineage of survivors. The structural sections of the work are a time and space traveling device that transports us across the world. For example, the use of multiphonics, where the player is singing into the horn while simultaneously playing a note, is reminiscent of the archaic ritual horn music of Tibet. Another example is of the whistling portamento in both the voice and horn, suggestive of the whistling languages of South Africa. This piece communicates how we are all connected to our ancestors. When we embrace, connect, dialogue with, and see ourselves as part of a greater familial and spiritual field of energy, we see the ancient wisdom that is deep within each of us. Even if we did not know our ancestors, we are connected to forces we may not understand. An essential part of our healing is connecting more deeply to our families of origin and challenging our familial stories, patterns, and beliefs. The music represents the dialogue with our ancestors and reconnecting with their DNA that resides deep within each of us. The French Horn and delay pedal combination enabled me to create the sound of an ensemble with just one instrument. With the delay pedal, I could create ripples of sound cascading onto itself, drone-like repeated notes and rhythms, canons layered upon each other, and delayed melodic and rhythmic gestures. I also discovered I could manipulate space and time by making some sounds sound closer or farther away. Ultimately, Ancestors is about telling one story about our connection to the past and how it has shaped us. It is about creating a dialogue with the greater familial and spiritual field of energy around us. We are biological storehouses––each are a result of our own unique lineage. By giving a voice to our ancestors’ panoramic, multidimensional view and letting their stories and voices be heard, we can embrace our families of origin and even challenge their paradigms and beliefs if they are no longer relevant. We are all cultural hybrids who have unique outlooks, and I want to honor our multicultural views and bring them to light since we are connected, all sharing this human existence on earth.

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At Land (1944) – Maya Deren (music by Feona Lee Jones)

I added my own music to Maya Deren’s silent experimental film, “At Land” to create my own twist on the narrative. Some parts of the film (ending) were omitted to leave the viewer to decide the meaning for themselves.

String Quartet was performed by: Tammie Dyer (Violin 1), Ilana Blumberg (Violin 2), Alexander Volonts (Viola), Rebecca Roudman (Cello), and recorded by: Jason Eckl.

At Land (1944) is a 15-minute silent experimental film written, directed by, and starring Maya Deren. It has a dream-like narrative in which a woman, played by Deren, is washed up on a beach and goes on a strange journey encountering other people and other versions of herself. Deren once said that the film is about the struggle to maintain one’s personal identity.facebooktwittergoogle_plusredditpinterest

METALLICA – Harvester of Sorrow – Piano Cover (2018)

One of my subscribers on YouTube requested that I do a piano version of Metallica’s “Harvester of Sorrow.” It was not the easiest piece to play since on the guitar you can slide to certain notes and power chords are simple. On the piano, power chords have a larger reach which makes it difficult to execute as a fast tempo. Here is my version of this song. Enjoy!

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My 208 Ensemble Video Statement

I created a video statement for 208 Ensemble’s call for Scores from underrepresented composers. In this video I share a little about myself, how I got started as a pianist and composer, my work as a composer, as well as a few things most people wouldn’t normally know about me.

Commission Details:

208 Ensemble is proud to introduce Avant-Garden, our flagship project designed to cultivate an accessible, collaborative environment for the performance of contemporary art and commission chamber music annually from emerging and
underrepresented composers.

Enjoy!

~Feona

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Proper Posture and Hand Position at the Piano (For Beginners)

Wouldn’t it be nice to play piano and not have to think about getting carpal tunnel or any strain-related injury? Many people don’t realize that our posture at the piano can effect our body if we are not careful. In this lesson, I cover the proper posture and hand position while sitting at the piano. At the end I show two stretches I recommend to counteract sitting at the piano.facebooktwittergoogle_plusredditpinterest